Livres et articles
Andrews, C. The Social Ageing of Les Inrockuptibles. French Cultural Studies. 11/2. (32). 238-248.
Cameron, L & Cavalcanti, M. & Zanotto, M.S. (2008). Confronting Metaphor in Use. An applied linguistic approach. Amsterdam: John Benjamins Publishing.
Canon, S. & Dauncey H. (2003). Popular music in France from chanson to techno: culture, identity and society. London: Ashgate Publishing.
De Bleeckere, N.& De Clerq, M. & Reymenants, G. (2000). Gezocht: M/V in het nieuws. De invloed van gender als productievariabele op de vrouw-en manbeelden in de media. Gent: RUG.
Deignan, A.(2005). Metaphor and Corpus Linguistics. Amsterdam: John Benjamins Publishing.
Dekerk, T. (2004). Rockjournalisten en het spektakel in recensies: een inhoudsanalyse. Brussel: VUB.
Dorleijn, G. & Van Boven, E. (1999). Literair Mechaniek. Bussum: 1999.
Dudignac, C. & Muger, F. (2008). La musique assiégée. Montreuil: Editions L’Echappée.
Dupriez, B. (1984). Gradus. Les procédés littéraires. Paris: Editions 10/18.
Evans, M. (1998). Quality Criticism: Music Reviewing in Australian Rock Magazines. Perfect Beat 3/4 (2). 38-50.
Firth, S. & Goodwin, A. (2000). On record: rock, pop and the written word. London: Routledge.
Firth, S. (2004). Popular music and society. London: Routledge.
Gallagher, M. (1997). L’emploi des femmes dans les medias: une histoire inachevée. Paris: Editions Unesco.
Gibbs, R.W. & Steen, G.J. (1997). Metaphor in Cognitive Linguistics. Amsterdam: John Benjamins Publishing.
Goodall, H.L.Jr. (1991). Living in the Rock ‘n Roll Mystery: Reading in Context, Self, and Others as Clues. Carbondale: Illinois University Press.
Le Hir, M-P & Strand, D. (2000). French Cultural Studies: criticism at the crossroads. New York: State University of New York Press.
Jones, S. (2002). Pop music and the press. Philadelphia: Temple University Press.
Keunen, G. (2002). Pop!. Tielt: Lannoo.
Knowles, M. & Moon, R. (2006). Introducing Metaphor. London: Routledge.
Kövecses, Z. (2002). Metaphor: A Practical Introduction. New York: Oxford University Press.
Lemieux, E. (2003). Pouvoir intellectuel: les nouveaux réseaux. Paris: Editions Denoël.
Lindberg, U. (2005). Rock criticism from the beginning. New York: Lang.
McKay, J. (2006). The Magazine Handbook. Oxon: Routledge.
McLeod,K. (2002). Between Rock and a Hard Place: Gender and Rock Criticism. In Steve Jones (Ed.) Pop Music and the Press. (pp. 93-113). Philadelphia: Temple University Press.
Negus, K. (1992). Producing Pop: Culture and Conflict in the Popular Music. London: Edward Arnold.
Negus, K. (1996). Popular Music in theory. Cambridge: Polity Press.
Ortony, A. (1993). Metaphor and Thought. Cambridge: Cambridge University Press.
Pires, M. (1998). Popular music reviewing in the French press 1956-1996: a stylistic study. Doctoraatstudie, University of Surrey (Great-Brittain).
Sullivan, C. (1995). The Joy of Hacking: Women Rock Critics. In Cooper.
Sources en ligne
Wikipedia,(01.05.2010).Les Inrockuptibles, [3pp.].[online].http://fr.wikipedia.org/wiki/Les_Inrockuptibles.[07.07.2010]
Wikipedia, (22.07.2010). Muziekkrant Oor. [5pp.]. [online].http://nl.wikipedia.org/wiki/Muziekkrant_OOR. [02.08.2010]
Interviews
Frans Steensma, redacteur Oor, Amsterdam, interview 12 juillet 2009.
Yorick Buwalda, redacteur Oor, Amsterdam, interview 12 juillet 2009.
Johanna Seban, rédactrice Les Inrockuptibles, interview 13 septembre 2009.